A blog for those who seek to find a way to leave their world behind.





Lindsay Lohan became a major Hollywood player in her short 19 years, and hopes to continue her string of success with her latest series of films. Voice was lucky enough to chat with the teen starlet online, as she spoke candidly about her craft, future and her upcoming romantic comedy “Just My Luck.”
The film, which takes place in bustling New York, centers on a career girl and socialite named Ashley Albright (Lohan). “Ashley has got her head on straight and she’s determined, which I think is great,” Lohan said.
She is the luckiest girl in the world, according to the film’s press kit. Jake (Chris Pine, “The Princess Diaries: Royal Engagement”) on the other hand, is a bad luck magnet. Everything changes when the two cross paths and kiss at a masquerade ball, switching their luck.
Unlike Lohan’s recent successes in the teen comedy genre, with films “Mean Girls” and “Freaky Friday,” “Just My Luck” marks an adult turn in the actress’ career.
“It’s a more mature film compared to the ones that I’ve done before,” Lohan said. “It’s more a romantic comedy than I’ve been able to do so far, and it’s nice to have a comedic side to it. It also has my first on-screen relationship.”
The pressure of a first on-screen relationship can be daunting for any young actress, but Lohan said she didn’t mind it.
“It was acting,” Lohan said, laughing. “It’s just pretend.” Director Donald Petrie has helmed a number of actresses in breakout roles including Julia Roberts in “Mystic Pizza” and Kate Hudson in “How to Lose a Guy in 10 Days.”
“I loved those movies,” Lohan said. “I love comedy and I really wanted to work with Donald on this film.”
Aside from “Just My Luck,” the superstar has a number of sophisticated roles in major motion pictures in the works. The actress can be seen in the latest film from legendary director Robert Altman (“Nashville,” “Gosford Park”), “A Prairie Home Companion,” and the independent Emilio Estevez (“The Breakfast Club,” “Mighty Ducks”) film, “Bobby.”
Both roles are generating a sizable amount of Oscar buzz.
“A Prairie Home Companion” sees Lohan playing daughter of prominent actress Meryl Streep (“Sophie’s Choice,” “Adaptation”) and working alongside longtime Altman favorite Lily Tomlin (“I Heart Huckabees,” “Short Cuts”). Such weathered veterans may intimidate a fledgling youngster, but Lohan said she learned much from the pros.
“More than discussing acting with [Streep], I observed her,” she said. “I just wanted to get a feel for how [Streep and Tomlin] become their character, how they work with the rest of the cast and crew and other things that I keep to myself.”
“Companion” takes place backstage during the final broadcast of the renowned radio program. Shot in Minnesota, the film gave the idol a chance to escape from big city living.
“I like the opportunity to focus on your craft,” Lohan said. Though she said she thinks the roles are more layered and mature than previous characters she has played, Lohan said she struggles to shed the “teen queen” stereotype.
“I don’t want to lose my teen audience,” she said. “I think it’s important to grow with them rather than ahead of them.”
Aside from acting, the actress has dabbled in modeling and singing. “I’ve been modeling since the age of 3,” she said. “I really appreciate the art of making music, films and such – and sending certain messages, whatever they may be.”
The 19-year-old doesn’t want to stop there.
“I also really love the fashion industry.,” she said. “And I like directing – so who’s to say what I will be involved in next?”
Lohan fans can catch her in “Just My Luck,” in theaters May 12, and “A Prairie Home Companion” will be in select theaters June 9.
As far as the future goes, Lohan said she tries not to get ahead of herself, though she wouldn’t mind garnering a gold statue at some point. “I would like to acquire an Oscar, and I’d like to have my own charity – amongst other things,” she said. “But I like to take every day as it comes.

“Scary Movie 4,” much like its predecessors, is a lesson in sloppy filmmaking.
David Zucker, director of “Scary Movie 3,” returns to the moderately successful series. Zucker, the man behind such comedy classics as “Airplane” and “The Naked Gun,” has sucked out the dirty jokes and sick gags that made the first two movies of the series so humorous.
Anna Faris (“Just Friends,” “Waiting …”) returns as the film’s principle heroine, Cindy Campbell. It’s shocking that Faris still returns to the hackneyed series after proving her adeptness and knack for perfect comedic timing in successful films “Lost in Translation,” “The Hot Chick” and “Brokeback Mountain.”
At the root of “Scary Movie 4” is a muddled mess of mildly successful horror and action films from recent years.
Cindy takes a job helping the elderly Mrs. Norris (Cloris Leachman, “Spanglish,” “The Last Picture Show”) in her cursed home. Her neighbor, Tom Ryan (Craig Bierko, “Cinderella Man,” “Fear and Loathing in Las Vegas”), is immediately smitten with her. However, an alien invasion puts their budding romance on the back burner.
Cindy’s failed relationship with George (Simon Rex, “Scary Movie 3”) is explained in a strange, brief and out-of-place parody of the Oscar-winning film “Million Dollar Baby.”
However, this isn’t the only sequence that seems out of place. The send up of M. Night Shyamalan’s lackluster film, “The Village,” seems bizarre. Likewise, the majority of the film lampoons last year’s “War of the Worlds” – hardly scary movies. It’s clear the screenwriters are reaching for fresh material to fill a boring hour-and-a-half of film.
A beacon of hope is found with the return of Brenda Meeks (Regina Hall, “The Honeymooners”). Though her character died in “Scary Movie 3,” she auspiciously surfaces as a reporter covering the alien invasion. Her mysterious reincarnation isn’t so much explained as ignored. It isn’t as if the filmmakers are shooting for creditability.
Her character, oversexed and full of trash talk, is one of the few holdovers from the relatively funny original.
The opening sequence, as with the earlier “Scary Movie” films, elicits the most laughs. Though much of the absurdity was documented in TV trailers, the “Saw” spoof with Dr. Phil McGraw and Shaquille O’Neal is stupid enough to draw a few chuckles.
Despite the talent of the seasoned cast and the endless string of cameos (Molly Shannon, “Superstar;” Michael Madsen, “Reservoir Dogs;” James Earl Jones, “Star Wars”), it seems nothing could rescue this sequel from banality.
Unfortunately for moviegoers, the recent success of “Scary Movie 4” only means another trite sequel is in the works.

“Slither” may be the most disgusting, stomach-turning and repulsive film opening in theaters this year.
Written and directed by James Gunn (“Dawn of the Dead”), the movie works as homage to B-movies “The Toxic Avenger” and “Tromeo and Juliet.” Not only is it sickeningly funny, but it also provides enough jolts to illicit gasps and screams.
The film opens as a small asteroid crashes near the sleeping chief of police, Bill Pardy (Nathan Fillion, “Serenity”) in the small town of Wheelsy. The next day, a local businessman, Grant Grant (Michael Rooker, “JFK”) leaves his sleeping wife Starla (Elizabeth Banks, “The 40 Year Old Virgin,” “Wet Hot American Summer”) to attend a seedy karaoke bar. Grant meets a former acquaintance, Brenda (Brenda James, “The Sisterhood of the Traveling Pants”), and the two head into the woods for an adulterous encounter. However, Grant’s conscience gets the best of him and he decides to return to his wife.
Before exiting the woods, he discovers a large slug crawling away from the space rock that crashed the previous night. Poking and prodding the slug only leads to trouble for Grant and the rest of the sleepy town. Dogs, cows and other farm animals disappear all over Wheelsy. The uptight and boisterous mayor, Jack MacReady (Gregg Henry, “Gilmore Girls”), sends the police to discover who or what is behind the mysterious dealings. Events turn gory when the team discovers hundreds of slugs that turn residents into acidic, slime-spewing zombies.
“Slither” isn’t for the faint of heart or faint of stomach. Rather than relying on heavy visual effects, the film retains a classic horror movie feel with impressive makeup and animatronics. The makeup department, headed by Monica Huppert (“X2”), does a fantastic job of creating filthy creatures and repugnant creepy crawlers.
The movie also makes ample use of hillbilly culture and mythology. Gunn creates a number of cliched characters with southern roots, but incorporates a humorous and inventive spin. Working on the same level as 2004’s “Shaun of the Dead,” “Slither” pokes fun at horror movies that precede it with quirky freshness. Gunn also takes full advantage of the R rating. There is no holding back with “Slither,” which happily displays dog-eating zombies and possessed children hell-bent on mayhem.
Unfortunately, audiences failed to catch on to the campy fun during opening weekend. The film made a paltry $3.88 million at the domestic box office, according to www.imdb.com.
The film may not appeal to every demographic, but “Slither” guarantees a gory good time at the movies.
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