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The Lowdown on Lohan


Lindsay Lohan became a major Hollywood player in her short 19 years, and hopes to continue her string of success with her latest series of films. Voice was lucky enough to chat with the teen starlet online, as she spoke candidly about her craft, future and her upcoming romantic comedy “Just My Luck.”

The film, which takes place in bustling New York, centers on a career girl and socialite named Ashley Albright (Lohan). “Ashley has got her head on straight and she’s determined, which I think is great,” Lohan said.

She is the luckiest girl in the world, according to the film’s press kit. Jake (Chris Pine, “The Princess Diaries: Royal Engagement”) on the other hand, is a bad luck magnet. Everything changes when the two cross paths and kiss at a masquerade ball, switching their luck.

Unlike Lohan’s recent successes in the teen comedy genre, with films “Mean Girls” and “Freaky Friday,” “Just My Luck” marks an adult turn in the actress’ career.

“It’s a more mature film compared to the ones that I’ve done before,” Lohan said. “It’s more a romantic comedy than I’ve been able to do so far, and it’s nice to have a comedic side to it. It also has my first on-screen relationship.”

The pressure of a first on-screen relationship can be daunting for any young actress, but Lohan said she didn’t mind it.

“It was acting,” Lohan said, laughing. “It’s just pretend.” Director Donald Petrie has helmed a number of actresses in breakout roles including Julia Roberts in “Mystic Pizza” and Kate Hudson in “How to Lose a Guy in 10 Days.”

“I loved those movies,” Lohan said. “I love comedy and I really wanted to work with Donald on this film.”

Aside from “Just My Luck,” the superstar has a number of sophisticated roles in major motion pictures in the works. The actress can be seen in the latest film from legendary director Robert Altman (“Nashville,” “Gosford Park”), “A Prairie Home Companion,” and the independent Emilio Estevez (“The Breakfast Club,” “Mighty Ducks”) film, “Bobby.”

Both roles are generating a sizable amount of Oscar buzz.

“A Prairie Home Companion” sees Lohan playing daughter of prominent actress Meryl Streep (“Sophie’s Choice,” “Adaptation”) and working alongside longtime Altman favorite Lily Tomlin (“I Heart Huckabees,” “Short Cuts”). Such weathered veterans may intimidate a fledgling youngster, but Lohan said she learned much from the pros.

“More than discussing acting with [Streep], I observed her,” she said. “I just wanted to get a feel for how [Streep and Tomlin] become their character, how they work with the rest of the cast and crew and other things that I keep to myself.”

“Companion” takes place backstage during the final broadcast of the renowned radio program. Shot in Minnesota, the film gave the idol a chance to escape from big city living.

“I like the opportunity to focus on your craft,” Lohan said. Though she said she thinks the roles are more layered and mature than previous characters she has played, Lohan said she struggles to shed the “teen queen” stereotype.

“I don’t want to lose my teen audience,” she said. “I think it’s important to grow with them rather than ahead of them.”

Aside from acting, the actress has dabbled in modeling and singing. “I’ve been modeling since the age of 3,” she said. “I really appreciate the art of making music, films and such – and sending certain messages, whatever they may be.”

The 19-year-old doesn’t want to stop there.

“I also really love the fashion industry.,” she said. “And I like directing – so who’s to say what I will be involved in next?”

Lohan fans can catch her in “Just My Luck,” in theaters May 12, and “A Prairie Home Companion” will be in select theaters June 9.

As far as the future goes, Lohan said she tries not to get ahead of herself, though she wouldn’t mind garnering a gold statue at some point. “I would like to acquire an Oscar, and I’d like to have my own charity – amongst other things,” she said. “But I like to take every day as it comes.

Playlist 04/25/2006

Playlist Title: it's epic
Show Title: Dr. Funke's 100% Natural Good-Time Family Band Solution by J Henson and
Pavement - Silence Kit
Oh No! Oh My! - Reeks and Seeks
The Spinto Band - Did I Tell You
Animal Collective - We Tigers
Spoon - Metal School
Morrissey - You Have Killed Me
Drive-By Truckers - Daylight
Modest Mouse - Trailer Trash
The Strokes - Reptilia
Ted Leo/Pharmacists - The Great Communicator
The Shins - Kissing the Lipless
Liars - The Other Side of Mt. Heart Attack
Aimee Mann - Save Me (Live at St. Ann's Warehouse)
Franz Ferdinand - Walk Away
Kelly Clarkson - Walk Away
Sufjan Stevens - Romulus
Gnarls Barkley - Who Cares
The Boy Least Likely To - I See Spiders When I Close My Eyes
TV on the Radio - I Was a Lover
Mates of State - Goods (All in Your Head)
Stars - The Vanishing
Kings of Leon - Taper Jean Girl
Yeah Yeah Yeahs - Black Tongue
The Streets - Never Went to Church
Band of Horses - Our Swords
Margot and the Nuclear So and So's - Dress Me Like a Clown
Islands - Don't Call Me Whitney, Bobby
The Smashing Pumpkins - Tonight, Tonight
Final Fantasy - Song Song Song

4 Is a Bore...


“Scary Movie 4,” much like its predecessors, is a lesson in sloppy filmmaking.

David Zucker, director of “Scary Movie 3,” returns to the moderately successful series. Zucker, the man behind such comedy classics as “Airplane” and “The Naked Gun,” has sucked out the dirty jokes and sick gags that made the first two movies of the series so humorous.

Anna Faris (“Just Friends,” “Waiting …”) returns as the film’s principle heroine, Cindy Campbell. It’s shocking that Faris still returns to the hackneyed series after proving her adeptness and knack for perfect comedic timing in successful films “Lost in Translation,” “The Hot Chick” and “Brokeback Mountain.”

At the root of “Scary Movie 4” is a muddled mess of mildly successful horror and action films from recent years.

Cindy takes a job helping the elderly Mrs. Norris (Cloris Leachman, “Spanglish,” “The Last Picture Show”) in her cursed home. Her neighbor, Tom Ryan (Craig Bierko, “Cinderella Man,” “Fear and Loathing in Las Vegas”), is immediately smitten with her. However, an alien invasion puts their budding romance on the back burner.

Cindy’s failed relationship with George (Simon Rex, “Scary Movie 3”) is explained in a strange, brief and out-of-place parody of the Oscar-winning film “Million Dollar Baby.”

However, this isn’t the only sequence that seems out of place. The send up of M. Night Shyamalan’s lackluster film, “The Village,” seems bizarre. Likewise, the majority of the film lampoons last year’s “War of the Worlds” – hardly scary movies. It’s clear the screenwriters are reaching for fresh material to fill a boring hour-and-a-half of film.

A beacon of hope is found with the return of Brenda Meeks (Regina Hall, “The Honeymooners”). Though her character died in “Scary Movie 3,” she auspiciously surfaces as a reporter covering the alien invasion. Her mysterious reincarnation isn’t so much explained as ignored. It isn’t as if the filmmakers are shooting for creditability.

Her character, oversexed and full of trash talk, is one of the few holdovers from the relatively funny original.

The opening sequence, as with the earlier “Scary Movie” films, elicits the most laughs. Though much of the absurdity was documented in TV trailers, the “Saw” spoof with Dr. Phil McGraw and Shaquille O’Neal is stupid enough to draw a few chuckles.

Despite the talent of the seasoned cast and the endless string of cameos (Molly Shannon, “Superstar;” Michael Madsen, “Reservoir Dogs;” James Earl Jones, “Star Wars”), it seems nothing could rescue this sequel from banality.

Unfortunately for moviegoers, the recent success of “Scary Movie 4” only means another trite sequel is in the works.

Ugh. 'Dead' and Buried.

The latest album from pop diva Pink, titled “I’m Not Dead,” has few memorable tracks and will likely leave listeners wishing she were, in fact, dead.

The opening track and lead single, “Stupid Girls,” has found a comfortable spot on the Billboard Hot 100 chart and rose to the top downloaded song on iTunes. Essentially an attack on paparazzi bait Paris Hilton and Jessica Simpson, the song seems phony. Unless a listener has selective amnesia, it’s hard to forget Pink’s only huge success was a club anthem called “Get This Party Started” that stupid girls still shake to on crazy Friday nights.

Her lyrics, “Baby if I act like that, flipping my blonde hair back/Push up my bra like that, I don’t wanna be a stupid girl,” seem to ignore that in 2001, she was flipping her hair back and pushing up her bra in the video for “Lady Marmalade.”

The rest of the album follows suit and Pink repeatedly contradicts herself during “I’m Not Dead.”

Her mawkish ballad “Nobody Knows” seems cheap and useless when followed by a track such as “Cuz I Can.” She flaunts her 23-inch black-on-black rims, fast car and diamond-encrusted T-shirts. It’s clear Pink doesn’t think money buys happiness, but it allows her to live a self-proclaimed life of sin and buy swimming pools large enough to hold a listener’s entire home. “Dear Mr. President” is a letter to George W. Bush written by Pink and the Indigo Girls. The song stands out like a sore thumb. Found among inoffensive pop songs and club beats, “Dear Mr. President” doesn’t feel like it belongs on the album. The acoustic-driven song packs a powerful punch, but stands to alienate Bush-backing listeners. She attacks nearly every facet of both Bush and his administration, bringing up the No Child Left Behind Act, gay rights and Bush’s history of drug and alcohol abuse. Midway through the album, listeners will find a bright spot with “Leave Me Alone (I’m Lonely).” The track echoes the sounds of less abrasive rockers Kelly Clarkson and Avril Lavigne.

Pink bites off more than she can chew with her overly sentimental and weepy ballad “Conversations With My 13 Year Old Self.” The intent to make a meaningful statement on adolescence is there, but the rather one-sided conversation falls short.

Pink prefaces the song “I Have Seen the Rain,” a so-called “hidden” track. Her father wrote the lyrics during the Vietnam War and he joins her on acoustic guitar and vocals. Despite good intentions, the entire thing seems out of place – much like “Dear Mr. President.”

Sure, political activism has frequently played a role in past pop music, but Pink presents it in all the wrong ways.

Ultimately, Pink fails at putting much thought into her songwriting and “I’m Not Dead” is another futile attempt by a ’90s pop star to squeeze every last penny from a dying genre.

Playlist 4/11/2006

Playlist Title: i know who you did last summer
Show Title: Dr. Funke's 100% Natural Good-Time Family Band Solution by J Henson
Islands - Rough Gem
Nelly Furtado - Maneater
The Appleseed Cast - Silas' Knife
Rainer Maria - Life of Leisure
Built to Spill - Liar
The Streets - When You Wasn't Famous
Casiotone for the Painfully Alone - I Love Creedence
Neutral Milk Hotel - Where You'll Find Me Now
David Byrne - Tiny Apocalypse
Jon Brion - Ruin My Day
Earlimart - We Drink on the Job
My Morning Jacket - What a Wonderful Man
Someone Still Loves You Boris Yeltsin - YR Broom
Pixies - Wave of Mutilation
Spoon - Small Stakes
Andre 3000 - Dracula's Wedding
The National - Trophy Wife
Malvina Reynolds - Little Boxes
Pavement - Pueblo
Stars - The Woods
Jens Lekman - You Are The Light (By Which I Travel into This and That)
Swearing at Motorists - Anything You Want
The Elected - Did Me Good
TV on the Radio - Dirty Whirl Wind
Okkervil River - Okkervil River Song

Slimy Fun


“Slither” may be the most disgusting, stomach-turning and repulsive film opening in theaters this year.

Written and directed by James Gunn (“Dawn of the Dead”), the movie works as homage to B-movies “The Toxic Avenger” and “Tromeo and Juliet.” Not only is it sickeningly funny, but it also provides enough jolts to illicit gasps and screams.

The film opens as a small asteroid crashes near the sleeping chief of police, Bill Pardy (Nathan Fillion, “Serenity”) in the small town of Wheelsy. The next day, a local businessman, Grant Grant (Michael Rooker, “JFK”) leaves his sleeping wife Starla (Elizabeth Banks, “The 40 Year Old Virgin,” “Wet Hot American Summer”) to attend a seedy karaoke bar. Grant meets a former acquaintance, Brenda (Brenda James, “The Sisterhood of the Traveling Pants”), and the two head into the woods for an adulterous encounter. However, Grant’s conscience gets the best of him and he decides to return to his wife.

Before exiting the woods, he discovers a large slug crawling away from the space rock that crashed the previous night. Poking and prodding the slug only leads to trouble for Grant and the rest of the sleepy town. Dogs, cows and other farm animals disappear all over Wheelsy. The uptight and boisterous mayor, Jack MacReady (Gregg Henry, “Gilmore Girls”), sends the police to discover who or what is behind the mysterious dealings. Events turn gory when the team discovers hundreds of slugs that turn residents into acidic, slime-spewing zombies.

“Slither” isn’t for the faint of heart or faint of stomach. Rather than relying on heavy visual effects, the film retains a classic horror movie feel with impressive makeup and animatronics. The makeup department, headed by Monica Huppert (“X2”), does a fantastic job of creating filthy creatures and repugnant creepy crawlers.

The movie also makes ample use of hillbilly culture and mythology. Gunn creates a number of cliched characters with southern roots, but incorporates a humorous and inventive spin. Working on the same level as 2004’s “Shaun of the Dead,” “Slither” pokes fun at horror movies that precede it with quirky freshness. Gunn also takes full advantage of the R rating. There is no holding back with “Slither,” which happily displays dog-eating zombies and possessed children hell-bent on mayhem.

Unfortunately, audiences failed to catch on to the campy fun during opening weekend. The film made a paltry $3.88 million at the domestic box office, according to www.imdb.com.

The film may not appeal to every demographic, but “Slither” guarantees a gory good time at the movies.

Listen, You'll Hear It...

Playlist 4/04/2006

Playlist Title: i'll stop taking ecstacy when you stop being so boring
Show Title: Dr. Funke's 100% Natural Good-Time Family Band Solution by J Henson
Animal Collective - Who Could Wind a Rabbit
The Starlight Mints - Submarine # 3
Gnarls Barkley - Crazy
Dr. Manhattan - Parties Opinion
Okkervil River - Westfall
The Black Keys - Everywhere I Go
Pavement - Kennel District
Mayhew the Traitor - Song 1
Amy Millan - Skinny Boy
The Waxwings - Low Ceiling
Devendra Banhart - Little Boys
The Flaming Lips - Goin' On
Phoenix - Long Distance Call
Broken Social Scene - Anthems for a Seventeen Year Old Girl
Yeah Yeah Yeahs - Rich
Jon Brion - I Believe She's Lying
Someone Still Loves You Boris Yeltsin - Anna Lee
Silver Jews - Buckingham Rabbit
Grand Austin - Call Canopy
Band of Horses - The Great Salt Lake
Spoon - Reservations
Bloc Party - Blue Light
Sufjan Stevens - Concerning the UFO Sighting Near Highland, Illinois
Eels - Jeannie's Diary
Clap Your Hands Say Yeah - Details of the War
My Morning Jacket - Sweetheart
Built to Spill - Conventional Wisdom
Wolf Parade - I'll Believe in Anything
The National - The Thrilling of Claire

Playlist 3/28/2006

Playlist Title: "somefing for urryone"
Show Title: Dr. Funke's 100% Natural Good-Time Family Band Solution by J Henson
Band of Horses - The Funeral
Tapes 'n Tapes - Jakov's Suite
Wilco - Via Chicago
Art Brut - Emily Kane
The Breeders - Cannonball
Love is All - Used Goods
Sufjan Stevens - Decatur
Nelly Furtado - Promiscuous Girl
Architecture in Helsinki - Scissors Paper Rock
The Walkmen - Little House of Savages
Swearing at Motorists - (It Came) Out of Nowhere
Beck - Guess I'm Doin' Fine
Ted Leo/Pharmacists - Biomusicology
Elliott Smith - Waltz #2
Broken Social Scene - Lover's Spit
Neko Case - Star Witness
Casiotone for the Painfully Alone - New Year's Kiss
The Beta Band - Out-Side
The Strokes - Between Love & Hate
Built to Spill - Girl
Stephen Malkmus & the Jicks - Fractions & Feelings
The Flaming Lips - Mr. Ambulance Driver
Yeah Yeah Yeahs - Dudley
The Streets - Empty Cans
Wolf Parade - Shine a Light
The Thermals - How We Know
Ben Folds Five - Jackson Cannery (By Request)

Playlist 3/21/2006

Playlist Title: everyday is ash wednesday!
Show Title: Dr. Funke's 100% Natural Good Time Family Band Solution by J Henson
Animal Collective - The Purple Bottle
Okkervil River - The War Criminal Rises and Speaks
The Streets - Fit But You Know It
Dogs Die in Hot Cars - Godhopping
Drive-By Truckers - The Day John Henry Died
The Strokes - Modern Girls and Old Fashioned Men
Jens Lekman - A Sweet Summer's Night on Hammer Hill
Stars - Romantic Comedy
Talking Heads - Life During Wartime (Live)
Saturday Looks Good to Me - Alcohol
Ted Leo/Pharmacists - Timorous Me
Flaming Lips - The Yeah Yeah Yeah Song
Silver Jews - I'm Getting Back (into Getting Back into You)
The Velvet Underground - After Hours
Architecture in Helsinki - Wishbone
Tapes 'n Tapes - Cowbell
Mates of State - Punchlines
Spoon - Chicago at Night
The National - Driver, Surprise Me
Final Fantasy - Peach, Plum, Pear
Casiotone for the Painfully Alone - Young Shields
TV on the Radio - Mr. Grieves
*Interview with Matt Detzler*
Swearing at Motorists - This Flag Signals Goodbye
The White Stripes - You're Pretty Good Looking (For a Girl)
David Byrne - Glass, Concrete and Stone
Stephen Malkmus - Pencil Rot
The Glad Version - Shenandoah
Daniel Johnston - Mountain Top
Tom Vek - Nothing But Green Lights
The Avalanches - Frontier Psychiatrist
Sleater-Kinney - Burn, Don't Freeze

Playlist 3/07/2006

Playlist Title: crash is for dumb people
Show Title: Dr. Funke's 100% Natural Good Time Family Band Solution by J Henson
Yo La Tengo - Autumn Sweater
Andrew Bird - Skin Is, My
Built to Spill - Goin' Against Your Mind
Pinback - Fortress
Beulah - A Man Like Me
Interpol - NYC
Yeah Yeah Yeahs - Cheated Hearts
Bright Eyes/Britt Daniel and Spoon - Let the Distance Keep Us Together
Okkervil River - For Real
Wilco - Theologians
Mirah - Don't Die in Me
Shout Out Louds - Please Please Please
Broken Social Scene - Cause=Time
The Unicorns - Sea Ghost
Someone Still Loves You Boris Yeltsin - House Fire
Pavement - Loretta's Scars
Tapes 'n Tapes - Omaha
Cat Power - Love & Communication
The Streets - Could Well Be In
Idlewild - El Capitan
The National - Lit Up (Parisian Party Version)
Laura Veirs - Icebound Stream
Preston School of Industry - Caught in the Rain
Rogue Wave - You
A.M. Sixty - Your Stuff, My House
Shimmer Kids Underpop Association - Like Candy, Like Poison

"All Bad Art is Sincere" -- 78th Annual Academy Awards























Tami Lane, a Peoria resident and Bradley Alumna, won an Oscar last night for her makeup work in the film "The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe."


"Walk the Line" had a poor showing at the award show that would normally jerk-off to big budget biopics. Reese Witherspoon won the Best Actress trophy without making herself ugly ::cough:: Nicole Kidman, Charlize Theron.


George Clooney took the award for Best Supporting Actor in "Syriana." His film "Good Night, and Good Luck" walked away with zero. A travesty. Two (often overlooked) actors took home Best Actor, Philip Seymour Hoffman, and Best Supporting Actress, Rachel Weisz, statues.

This is about the moment I threw up...

Nicholson looked more surprised than anyone.






















That's right..."Crash." Best Picture of 2005. The year that brought audiences such great films as "Good Night, and Good Luck," "Capote," "Batman Begins," "The Squid and the Whale," "A History of Violence," "The Constant Gardener," "Match Point," hell even "Brokeback Mountain."

Anything but Crash. The Academy hit a new low last night. Lower than when they gave the statue to "Gladiator."


What Paul Haggis should have said.




















The immediate reaction from the President of the Academy of Motion Picture Arts & Sciences...

Short...but Deep.


Being an avid iTunes shopper, I am constantly looking for interesting things to buy, be it new music or the latest addition of video.

It's this addiction that led me to some new favorites, like the hysterical Showtime series "Weeds."

I recently stumbled upon their latest addition to the vast music store. Magnolia Pictures and Shorts International teamed up to release the five Oscar nominated short films for $1.99 each.

The prospect was immediately appealing because of:
a) my fascination with film
b) the shorts are generally not available to the public--making the awards at the ceremony completely uninteresting to me.

So, I downloaded them before I went to bed and awoke the next morning with over an hour of shorts to watch.

The first one I viewed was a short film by Sean Ellis entitled "Cashback." The film focuses on the latenight employees of a British grocery store. The humor is dry and drags a bit, but it was by far my favorite of the five nominated films.

Sean Biggerstaff ("Harry Potter and the Chamber of Secrets") plays Ben, an English art student. He narrates the work, telling the secrets each employee uses in order to make time pass quicker. The mood remains light until the audience discovers Ben's way of offsetting the banality. He imagines that time stops and then wanders the store looking for beautiful women. He unclothes the women and draws stunning depictions of them. Sure. It sounds weird. It is. But, the British wit and charm are obviously appealing. And the arthouse twist at the end makes the film totally enjoyable. If you're interested in watching the shorts, but working on a limited budget, download "Cashback."

"Our Time is Up," directed by Rob Pearlstein, stars Kevin Pollak ("The Usual Suspects") as a thearapist who finds out he only has 6 weeks to live. Rather than wasting those weeks stuck in his same old routine, he decides to help his patients by telling them exactly what he thinks.

His patients include a man with an obnoxious fear of turtles, an extreme germaphobe, a guy who is absolutely terrified by the dark, a playboy who can't committ and a man unaware of his painfully obvious homosexuality.

It's a cute little story, but it lacks the depth of the other nominated films. It's worth checking out if you have 2 bucks and fifteen minutes to kill.

The Irish short, "Six Shooter" is a tale of irony and depressing circumstances.

Starring Brendan Gleeson ("28 Days Later," "Harry Potter and the Goblet of Fire") and directed by Martin McDonagh, "Six Shooter" begins with a doctor informing a middle aged man that his wife has passed away. The doctor is busy with another case, however, and must leave Gleeson alone with his wife.

What starts as a bad day only gets worse for the main character. He boards a train to Dublin and meets a brash young man and a depressingly depressed couple.

By the end of the trip, two people are dead and it seems fate brought them together.

"The Last Farm" is a bleak drama about a man coping with his wife's death. The film is short and simple. If you aren't in the mood for agonizing sadness, take a pass on this one.


Fans of the semi-hit Reese Witherspoon and Mark Ruffalo vehicle "Just Like Heaven" will enjoy "The Runaway" (Ausreißer)." What starts out as a cute story about a father and son turns strangely mysterious. Definitely worth watching.

Odds are The Runaway will walk away with the Oscar, however my pick is "Cashback." We'll see this Sunday night at 7 p.m.

Going for the Gold -- Oscar Predictions


Each year, Hollywood’s best and brightest gather in the Kodak Theater hoping to be recognized by The Academy of Arts and Sciences. Some believe the Oscars are nothing more than a glorified popularity contest.

However, receiving an award can make a relative nobody into a major Hollywood player. This year’s nominees offer old favorites and rising stars.

For students entering into a friendly wager, here are Voice’s picks and favorites for the Academy Awards airing at 7 p.m. this Sunday on ABC.

Best Actress in a Supporting Role
Will win: Rachel Weisz, “The Constant Gardener”
Should win: Amy Adams, “Junebug”
Should have been nominated: Maria Bello, “A History of Violence”


Rachel Weisz walked away with a handful of awards for her performance in “The Constant Gardener,” and deservedly so. Weisz plays the role of Tessa Quale, working fearlessly to uncover the secrets of African drug companies. She is the leading contender for the Oscar on Sunday night.

My pick is Amy Adams, who slipped under most viewers’ radars. Adams plays the goofy, pregnant southern belle in the indie hit “Junebug.” She balances quirky comedic timing with dramatic sensibility – a task not easily completed.

Perhaps the Academy’s biggest oversight this year is its lack of nomination for Maria Bello. As the wife of a supposed mobster, Bello gave the best performance of her career and one of the best of the year.

Best Actress in a Leading Role
Will win: Reese Witherspoon, “Walk the Line”
Should win: Reese Witherspoon, “Walk the Line”
Should have been nominated: Laura Linney, “The Squid and the Whale”


Without a doubt, last year belonged to Reese Witherspoon. Portraying the late June Carter-Cash, Witherspoon gave “Walk the Line” heart and soul. Nobody in the category will take the award from her.

The Academy constantly overlooks small independent features such as “The Squid and the Whale.” However, Laura Linney is an Academy favorite. Like Amy Adams in “Junebug,” Linney manages to perfect both the comedic and dramatic as a divorced mother of two. Her performance more than qualifies her for a nomination, especially against some of the lackluster nominees in the category.

Best Actor in a Supporting Role
Will win: Jake Gyllenhaal, “Brokeback Mountain”
Should win: George Clooney, “Syriana”
Should have been nominated: Jeffrey Wright, “Broken Flowers”


This may be the hardest category to predict, as many great performances are competing. Although some argue Jake Gyllenhaal’s performance in “Brokeback Mountain” pales in comparison to Heath Ledger’s, Gyllenhaal shines as cowboy Jack Twist. Gyllenhaal plays Twist as a reckless and outspoken young man in an impossible love.

My personal favorite performance in the category belongs to George Clooney in “Syriana.” Clooney plays CIA agent Bob Barnes and possesses a fiery and fidgety attitude throughout the film. And unlike Gyllenhaal, who suffered in mediocre makeup and a fat suit, Clooney put on 35 pounds for the role. Another indie film under the radar is “Broken Flowers.” The impeccable Jeffrey Wright plays Winston, a mystery-loving music enthusiast. Although it may not be the best performance of the year, Wright deserves recognition for his work as one of the year’s most likeable characters.

Best Actor in a Leading Role
Will win: Philip Seymour Hoffman, “Capote”
Should win: Philip Seymour Hoffman, “Capote”
Should have been nominated: Tommy Lee Jones, “The Three Burials of Melquiades Estrada”


Philip Seymour Hoffman is a lock in this category. Playing the title character in “Capote,” Hoffman is perfect. He took the prize for this role in nearly every other award ceremony this year. Receiving the Oscar on Sunday is merely icing on the cake.

Though he won the Cannes Film Festival’s award for Best Actor, Tommy Lee Jones surprisingly failed to earn a nomination from the Academy. Jones not only directs “The Three Burials of Melquiades Estrada,” but stars as well. He plays Pete Perkins, a man so devastated by his friend’s death he stops at nothing to honor him. His performance is captivating and heartbreaking.

Best Original Screenplay
Will win: Paul Haggis and Bobby Moresco, “Crash”
Should win: Noah Baumbach, “The Squid and the Whale”
Should have been nominated: Judd Apatow and Steve Carell, “The 40 Year Old Virgin”


“Crash” was my least favorite film of 2005. Everything about the film was third-rate. The performances and characters lacked depth. The story was tired and formulaic. That said, the film will (unfortunately) win an Academy Award for its (awful) screenplay.

Every other screenplay nominated is 10 times more deserving, especially Noah Baumbach’s “The Squid and the Whale.” His semiautobiographical account of growing up in a divorced family, struggling with joint custody and the affections of teenage girls displays the most depth and charm of the nominated films.

However, the Academy snubbed the most charming film of the year with “The 40 Year Old Virgin’s” failure to garner a nod. Arguably the funniest and sweetest film of 2005, Carell and Apatow perfected the art of comedic writing.

Best Adapted Screenplay
Will win: Larry McMurtry & Diana Ossana, “Brokeback Mountain”
Should win: Josh Olson, “A History of Violence”
Should have been nominated: Gill Dennis and James Mangold, “Walk the Line”


A victory for the screenwriters of “Brokeback Mountain” is a sure thing. But Josh Olson’s adaptation of the graphic novel “A History of Violence” is the tightest screenplay of the year. The film twists and turns through a brief 90-minute runtime and constantly keeps the audience guessing.

“Walk the Line” didn’t get quite as much recognition from the Academy as it deserved. The screenplay, by Gill Dennis and director James Mangold, carried the excellent performances and the film itself. Without a nomination for the screenplay, the film was doomed from earning one of the five spots for Best Picture.

Best Director
Will win: Ang Lee, “Brokeback Mountain”
Should win: George Clooney, “Good Night, and Good Luck.”
Should have been nominated: Peter Jackson, “King Kong”


The most bothersome aspect of the Academy Awards is its predictability. Ang Lee is a given. He’ll win an award for his direction of “Brokeback Mountain.”

However, it would be fun if George Clooney took the award for “Good Night, and Good Luck.” He directs the best ensemble cast of the year with amazing precision.

Granted, I wasn’t a huge fan of the “King Kong” remake. But the thing I loved was Peter Jackson’s ability to milk what he could from a lackluster film. Besides, it takes a lot of guts to place a majority of the film in the hands of a computer-generated creature.

Best Picture
Will win: “Brokeback Mountain”
Should win: “Good Night, and Good Luck.”
Should have been nominated: “Walk the Line”


The real race for the Best Picture trophy is between “Brokeback Mountain” and “Crash.” But my choice is the sharp and topical “Good Night, and Good Luck.”

Director George Clooney created a small film packing a powerful punch. David Strathairn stars as famed journalist Edward Murrow. Tackling the ideas prevalent in today’s world, the film is a sociopolitical commentary reaching further than “Brokeback Mountain” and “Crash” combined.

Many seem more deserving than the five movies vying for the trophy Sunday. The most obvious choice is “Walk the Line.” The film is as great a love story as “Brokeback Mountain” and tugs at the heartstrings more than “Munich,” not to mention the nominated performances of Reese Witherspoon and Joaquin Phoenix. The Academy’s failure to nominate the film is one of the greatest slights in the history of Oscar.

Daring Drama

The latest production to grace the Hartmann Center’s stage is the powerful and impressive “Extremities.”

At the center of the brutal drama is Marjorie, played perfectly by senior Tiffany Albers-Lopez. With disheveled hair and smeared makeup, Albers-Lopez commands the stage.

Following a wasp sting on the front porch, Marjorie douses the bug with insecticide and burns the creature in an ashtray. Not long after the wasp attack, another creature ready to hurt Marjorie appears on the porch. A young man enters the house and claims to be looking for a friend named Joe. The man, who has an eerie saunter and obvious sexual motives, is portrayed by fantastic Joseph Majestic. Marjorie tells him no man named Joe lives in the house and her nonexistent husband will be downstairs shortly. It becomes clear to Marjorie the man plans to harm her. With a few sudden moves, the man overpowers Marjorie.

But it’s not long before Marjorie turns the tables on the assailant. She plays along with his sick fantasies before blindfolding, gagging and knocking him unconscious.

Fight choreographer George H. Brown makes ample use of the actors’ talents and the excellent stage and props designed by Erich Keil. The two actors wrestle on stage with extension chords, pillows and a fireplace poker. As the intensity continues, Majestic and Albers-Lopez fall deeper into their characters. Majestic, in particular, proves his skill as an actor. He has a seemingly innate ability to make the audience laugh one minute and absolutely hate him the next.

But Albers-Lopez carries the majority of the emotion. She is strong and resilient, even in the face of her attacker. After the physical sparring ceases, verbal combat continues. The man taunts and teases Marjorie until she snaps.

At the crescendo of the drama, Marjorie’s roommates return to the ravaged home and traumatized victims. The two roommates, Paige Miller-Morand and Jenn Fliehler, provide a sense of comic relief and a welcome reprieve from the tense wordplay.

Miller-Morand is fantastically funny and altogether heartbreaking as Patricia. She wavers between compassionate and disbelieving, as Marjorie relays the events of the day. Wanting to believe her friend and roommate proves to be a much larger struggle than one would imagine.

Fliehler, on the other hand, is forgettable as Terry. Her performance lacks the intensity of the other three actors. It’s as if the action of the play surrounds her without involving her.

The production is filled with edgy twists and turns, carefully constructed by scribe William Mastrosimone and orchestrated on Bradley’s stage by director Steve Snyder.

The timeliness of the work is stressed in the dramaturgical and director’s notes. The scope is wider than an attempted rape and its aftermath. The play explores the overall effects of violence. “Extremities” is a highly effective and formidable drama – a must-see.

Playlist 2/28/2006

Playlist Title: more like alexander the so-so
Show Title: Dr. Funke's 100% Natural Good Time Family Band Solution by J Henson
Andrew Bird - Candy Shop
Beck - Girl
The Greenhornes - There is an End
The Hold Steady - The Swish
Old Canes - Taxi on Vermont
The Elected - Not Going Home
Belle & Sebastian - White Collar Boy
The Notwist - Chemicals
The White Stripes - Girl You Have No Faith in Medicine
Love is All - Turn The Radio Off
Built to Spill - Distopian Dream Girl
The Cloud Room - Hey Now Now
The Decemberists - Billy Liar
Saturday Looks Good to Me - Dialtone
Pixies - Debaser
Spoon - The Beast and Dragon, Adored
Elliott Smith - Son of Sam
M.I.A. - 10 Dollar
Old Crow Medicine Show - Wagon Wheel
Clap Your Hands Say Yeah - Upon This Tidal Wave of Young Blood
The Minus 5 - With a Gun
Film School - He's A Deep Deep Lake
Pavement - Shady Lane
Art Brut - Moving to L.A.
Steve Earle - Rich Man's War
Broken Social Scene - Major Label Debut (Fast)
The Arcade Fire - No Cars Go
The National - Mr. November

Unstoppable.


The third film in a series typically suffers from creative complications and over-the-top theatrics – “Final Destination 3,” however, breaks the mold.

James Wong, a producer of “The X-Files” and director of the original “Final Destination,” returns to direct the second sequel in the lucrative series. Like the previous films, “Final Destination 3” begins with a forewarning of a horrible accident. The senior class of McKinley High School has rented a local amusement park for the night.

Wendy (Mary Elizabeth Winstead, “Sky High”), a young photographer, is documenting the event for the yearbook.

She has an eerily realistic premonition of a rollercoaster crash, killing everyone on board. Wendy and her best friend’s boyfriend, Kevin (Ryan Merriman, “The Ring Two”), leave the ride with several classmates. Minutes later, the ride plunges to the ground and sets off a chain of events meant to kill all the survivors.

Unbeknownst to her, Wendy’s photos are the clues to the discovery and prevention of her and her classmate’s deaths.

Granted, the film doesn’t stray far from the plot of the preceding films, but the scares remain fresh.

The latest string of PG-13 horror movies, “Boogeyman” and “When a Stranger Calls,” left audiences only wanting more – more violence, more scares, more shocks and more carnage. “Final Destination 3” delivers.

The days of suggestive violence, perfected by Alfred Hitchcock and John Carpenter, are gone. The film holds nothing back. “Destination” unabashedly exhibits the most gruesome and ridiculous deaths seen in film. From tanning booth combustion to nail gun lacerations, Wong and co-screenwriter Glen Morgan (“Willard”) leave nothing to the imagination.

The movie is thrilling because, unlike most teen horror films, it contains no masked lunatic or chainsaw wielding psycho. Death is a force with which to be reckoned. Although the students do their best to avoid their demise, solving each intricate clue isn’t a simple task.

Despite the ludicrous humor and shockingly amusing brutality, the film is no masterpiece. It won’t be nominated for Academy Awards or make the critics’ top-10 lists, but it is a decent way to spend an hour and a half. Characters are altogether forgettable, and rightfully so. Most of them play off of tired stereotypes – the ditzy blonde cheerleader, the creepy skeptical goth, the pompous loudmouth jock and the obligatory snotty underclassmen. Lacking emotional ties to the cast, the senseless deaths and massive body count are inconsequential.

Regardless of the goofiness and leaky story, “Final Destination 3” is a terrifyingly entertaining film.

Playlist 2/21/2006

Playlist Title: i wouldn't take a dump in an olive garden
Show Title: Dr. Funke's 100% Natural Good Time Family Band Solution by J Henson
Belle & Sebastian - The Blues are Still Blue
The Boy Least Likely To - Hugging My Grudge
The White Stripes - Apple Blossom
The Thrills - Don't Steal Our Sun
Yeah Yeah Yeahs - Let Me Know
The Strokes - Razorblade
A.C. Newman - On the Table
Rilo Kiley - A Better Son/Daughter
The Black Keys - Heavy Soul
Feist - Mushaboom (Postal Service Remix)
Spoon - Merchants of Soul
Built to Spill - Car
Phoenix - Too Young (Zoot Woman Remix)
Someone Still Loves You Boris Yeltsin - Pangea
Beulah - A Good Man is Easy to Kill
Rogue Wave - Everyday
Art Brut - Good Weekend
Stephen Malkmus and the Jicks - Animal Midnight
The Walkmen - Thinking of a Dream
Antony and the Johnsons - Hope There's Someone
Sufjan Stevens - The Tallest Man, The Broadest Shoulders
Ted Leo & The Pharmacists - Tell Balgeary, Balgury Is Dead
Badly Drawn Boy - The Shining
The Unicorns - Jellybones
The Streets - Weak Become Heroes
William Shatner (feat. Henry Rollins) - I Can't Get Behind That
Love is All - Untitled

A Love That Will Never Grow Old...



Forbidden love is often explored through film, but Ang Lee’s “Brokeback Mountain” breaks new ground by presenting the illicit affair of two male Wyoming ranch hands.

Based on a short story by E. Annie Proulx, the film was recently nominated for eight Academy Awards, including Best Picture.

The film opens during the early ‘60s in a rural town. Ennis Del Mar (Heath Ledger, “10 Things I Hate About You”) and Jack Twist (Jake Gyllenhaal, “Donnie Darko”) stand quietly outside a ranch owner’s trailer hoping to acquire summer employment. The two are given positions as sheep herders on Brokeback Mountain.

The men bond over canned beans and family histories. Like many Bradley students, Jack and Ennis turn to alcohol as the monotony and deplorable living conditions set in. Given time and desperation, the two discover a profound love. As quickly as they discover their sexuality, they realize the necessity of restraining desire when returning to society at summer’s end.

Ennis becomes close-mouthed and distant. He marries Alma (Michelle Williams, “Dawson’s Creek”) and starts a family. Haunted by the past and struggling with his sexuality, Ledger shatters his teen heartthrob reputation with his heartbreaking portrayal of Ennis.

Jack, on the other hand, finds romance at the rodeo. Lureen (Anne Hathaway, “The Princess Diaries”) is a rodeo princess. She catches Jack’s eye and the couple soon marries.

Despite the two men embarking on separate paths, they never forget the summer they spent on Brokeback. Years later, Jack writes to Ennis and a rendezvous on Brokeback Mountain becomes an annual occurrence.

The love between the men is not devoid of obstacles. Jack desires for the two men to begin a life together, but Ennis can’t ignore the adversity the relationship may generate.

The social mores and attitudes of rural Wyoming hinder the men’s expression of love. Much of Ledger’s powerful scenes are largely without dialogue. The inner anguish he expresses speaks louder than words.

Although the film generated negative press from the religious right, it is an amazingly profound tale of the power and prevention of forbidden love. Director Ang Lee (“Crouching Tiger, Hidden Dragon,” “The Ice Storm”) deserves to walk away with an Academy Award for “Brokeback.” Not since Francis Ford Coppola’s “The Godfather” has a director explored the talents of a young group of actors with such amazing perfection. Lee creates a canvas upon which four capable performers are permitted to display their craft.

Furthermore, the backdrop of the film is as stunning as the story itself. Although filmed in Canada and New Mexico, the cinematography by Rodrigo Prieto (“Alexander,” “21 Grams”) is breathtaking.

“Brokeback” would lose a portion of its commanding effect without the striking score by Gustavo Santaolalla. The film’s theme became immediately recognizable in its unrelenting parodies.

In spite of the quality of the film, audiences are split on its content. The substance of the film is not a political statement or attack on Americana; “Brokeback Mountain” is a testament to the forces driving people together and the overwhelming power of love.

Playlist 2/14/2006

Playlist Title: i wish i knew how to quit you....
Show Title: Dr. Funke's 100% Natural Good Time Family Band Solution by J Henson

Outkast - Happy Valentines Day
Jenny Lewis with the Watson Twins - You Are What You Love
Stars - Elevator Love Letter
Beulah - Popular Mechanics for Lovers
Pavement - Summer Babe (Live)
Fruit Bats - When U Love Somebody
Magnetic Fields - Love is Like a Bottle of Gin
Yeah Yeah Yeahs - Maps
Devendra Banhart - Chinese Children
The Beatles - She Loves You
Talking Heads - Love--> Building On Fire
Captain and Tenille - Love Will Keep Us Together (...for Brian)
Lou Reed - Satellite of Love
The Rapture - Love is All
The Cure - The Lovecats
Dogs Die in Hot Cars - I Love You 'Cause I Have To
Clap Your Hands Say Yeah - Is This Love?
The Elected - It Was Love
Eels - Love of the Loveless
The Black Keys - Have Love, Will Travel
Rogue Wave - Publish My Love
Bloc Party - This Modern Love
Prince - I Wanna Be Your Lover
The Cloud Room - O My Love
My Morning Jacket - Why Don't You Love Me?
The Futureheads - Hounds of Love
Pixies - La La Love You
The Brian Jonestown Massacre - This is Why You Love Me
Brendan Benson - Alternative to Love
Ben Lee - Love Song
Wilco - I'm Always in Love
The Concretes - You Can't Hurry Love
Iron & Wine - Love and Some Verses
Drive-by Truckers - Feb. 14